Top 10 Gruselkrimis (and a definition)

Krimi is the short and diminuitive form of Kriminalroman or Kriminalfilm.

Here we are talking about movies, so it's short AND diminuitive for Kriminalfilm.

A Kriminalfilm is a "Film that depicts crime" of course as a movie and not as a documentary.

A documentary on crime would be called Kriminaldokumentation and NEVER Krimi.

A Krimidokumentation, however, would be a documentary about Krimis (either books or movies).

Now as with the Giallo, foreign scholars seem to come to the general understanding that EVERY italian movie that deals with crime in WHATEVER form would be called Giallo. Thus, people are calling the supernatural "Suspiria" a Giallo, which it is not. It is a horror film using giallo-elements - but basically it could never be published inside the giallo-book-bracket. 

It is not my job to define the Giallo, italians should do that. Back to the Krimi:

As I wrote above, Krimi is also diminuitive, which means "entertaining".. So the krimis will be not  heavy movies that make you dispair. It is made for your entertainment, not education.

The Goldmann Krimis with their distinctive RED color,
hence, red was often used in krimi titles

A serious movie would never be called Krimi but Kriminalfilm.

Eg. "It happened on broad daylight" is a Kriminalfilm. This one's serious, written by a nobel-prize winning author, directed and played by award-winning actors who don't give you the slightest idea of irony or sensationalism. It is tough as nails and will leave your soul drained like "Deliverance" - and no one would call that an adventure movie.

The "Krimi" is lighter, made by the entertainment industry, normally with less money, not-so-good-actors, and has a dose of self-irony.

This "Krimi" still could deal with anything from murder to bank robbery to abduction, theft, financial crimes (that would be a "Wirtschaftskrimi" - "Economic Krimi").

The Edgar-Wallace (and copy-) films however have a special tag. The foggy London of Jack the Ripper, the Castles of the old an vicious aristocracy, multiple murders out of greed, fortunes that vanish and cannot be found. These mystical krimis, meant to tingle the sensation of fear - and who are the precursor of  the Giallo are called 

Gruselkrimi

This is how these movies were and are called in germany. If you would say to somebody, "I've watched a "Gruselkrimi" yesterday", people would clearly think of an Edgar-Wallace-style movie.

Still, on amazon.de these movies are marketed as "Gruselkrimis"

A pulp Grusel-Krimi
"The Lady with the
Dead Eyes" written by 
"Dan Shocker"!!!

The word "Grusel" is related to the english word of "grue", "gore" and "crimp", basically to have goosebumps from the slight sensation of fear. It's not horror, it's a more delightful and surfacial experience. Thus the "Gruselkrimis" don't go too hard on the audience, they're just there to give you entertainment and excitement. 

The Edgar-Wallace-Krimis became synonymous with that term although some of them are simple Krimis and not Gruselkrimis (like Traitor's Gate).  Long lasting pulp-fiction novel series took this moniker and at the beginning they were like the BEW-movies, unruly bastards of Edgar Wallace novels. By and by, the horror element became supernatural, but still a crime had to be solved....

Horst Wendland, the man responsible for the EW-Krimis defined the movies like this in an interview:"People should feel safe to get scared. A girl should cling to the arm of her boyfrend, but when they walk home together, she should not be afraid."

The best Gruselkrimis ranked (ranked by scariness): 

I should include "Blood and Black Lace" as it was marketed as Gruselkrimi and was 30% produced by the german Monachia. I do accept however that it is the blueprint for the "Giallo", so I just concentrate on the "pure" Krimis - the giallo-factor shows how close the movie comes to being a Giallo.

I should include "The Red Queen Kills 7 Times", produced and shot in Germany, this is as close as you can get to a Krimi/Giallo blend. 

10. Das Gasthaus an der Themse

Overall-Movie-Score: 7

Grusel-Factor: 3

Giallo-Factor: 0

High on entertainment, one of the best Edgar Wallace movies, lots of atmosphere and a tight plot about a smuggler organisation where said inn is the front.

Not very scary though but so good that it makes the list and is preferable to the more goofier "funhouse" films like "Hound of Blackwood Castle". 

Where did he get those black gloves? They're awful!

9 Das Würger von Schloss Blackmoor

Overall-Movie-Score: 5

Grusel-Factor: 6

Giallo-Factor: 3

This is about a drug-smuggling operation and takes place on the road between a manor and a club. That's all. Multiple protagonists of this drug-trafficing band are being killed by a killer with only 9 fingers.

The BEW-cycle had to be harder than the family-friendly EW-cycle. Here already things are being switched up as we get to goodies like an on-camera beheading. The story is a bit muddled and does not move along too well between the set-pieces. The score is the first time anyone used purely electronic music in a soundtrack. Even the 60ies bar plays strange bleeping proto-EDM. Worthwile.

Naa, that's not the way to hang up a clothesline. If, by chance, a motorcyclist would use
this bridge...

Poor Karin Dor. In each of her husband's (H. Reinl) 
movies, she's being bound, gagged, tortured (even
in the westerns!!!). Happy marriage, this must have been.

Lame imitation by some italian "fancy" director. Pah.

8. Der Grüne Bogenschütze

Overall-Movie-Score: 7

Grusel-Factor: 5

Giallo-Factor: 2

Not very scary, more like a masked avenger movie about a wealthy american "businessman" who buys a british manor without showing any remorse (!!!). Now the Green Archer is going to haunt him. 

This one stands out due to strong performances in the cast and tight direction. And of course, Gerd Fröbe is in it. The german uncut print has a nipple-slip by Edith Teichman when they are about to get drowned in the cellar. I don't mind.

Obviously green, he is. In the later Wankker-spoofs they dubbed
him with the voice of Kermit. Which makes him even more scarien.

7. Die Blaue Hand

Overall-Movie-Score: 6

Grusel-Factor: 6

Giallo-Factor: 3

This is one of the many Alfred Vohrer "Funhouse"-movies. All featuring the same props (same skeleton, spiders etc.). I could list 5 more here and they are fun, but not really scary to anyone older than 12. This one here's a bit different as it is already clearly influenced by the giallo/BEW style. The first Edgar Wallace that was designed to be filmed in color, it looks glorious. (The first color Wallace was "Der Gorilla von Soho" but was not conceived as such, as the b/w movie had to be quickly reshot in color to meet distributor's Constantin's demands).

Kinski, obviously being scared by his own reflection in the steel.

In this fancy copy, she too is scared by her reflection, but this time shot through a reflection. Clever.

6. Der Henker von London

Overall-Movie-Score: 7

Grusel-Factor: 6

Giallo-Factor: 3

Interesting departure from the normal Wallace-stuff. This is about a veiled organisation of monks setting up secret courts in a London graveyeard and sentencing criminals to death by rope. Very striking imagry and a good reflection of self-justice. Typical Fodor script (The Head) we get a mad scientist doing strange things to blonde girls' heads in his cellar.

Strong performance by Felmy. And starlet Maria Perschy (of Five golden Dragons ia.) never looked hotter.

Krimi AND Courtroom-Drama. It does not get better than that....

... except, that it does. See... he's an evil scientist doing "research" in his cellar...

5. Das Ungeheuer von London City

Overall-Movie-Score: 7

Grusel-Factor: 8

Giallo-Factor: 8

The spirit of Jack the Ripper seems to be very much alive in 1960s London as a series of brutal slayings by the Monster of London City has Scotland Yard baffled. In a macabre coincidence, a new play about the famous murderer is about to become a major West End hit… and the leading man is rapidly becoming the prime suspect! This is as close to a giallo as you can get with brutal murders shown in first person perspective (he's actually ripping the women up with a razor blade!!), a golden-gloved murderer. All set in foggy Berlin .. .eh London.

Hm, I wonder what will happen to her? This is something I do not understand.
Professionals would never work in a street where there is so little traffic.
I mean, where do the customers come from when there is
virtually no one there for miles to witness anything..... 

Hm I wonder what will happen do her? Na, fooled you, this is from the stage play about
"Jack the Ripper"... Naaaa, fooled you again. See ... .there is an empty parking lot 
outside...

This is from the uncut 4k scan. Remember, this came out 4 months before
"Blood and Black Lace" and certianly earned its X certificate...

4. Das Phantom von Soho

Overall-Movie-Score: 8

Grusel-Factor: 6

Giallo-Factor: 3

Very strong Bryan Edgar Wallace movie, featuring a bird with a crystal plumage, scary Elisabeth Flickenschild, bare-breasted striptease scenes, grisly murders of revenge. Ain't gonna lie: there once was a bunga-bunga-party on a boat near the Akasavainian coast. Not all came back. And now the "Phantom" (in creepy disguise) kills them all. Very, very good movie and though not as "giallo" as No. 5, this is by far the better movie. Essential viewing. 

The OG Bird with the Crystal Plumage

Cheap italian imitation. It's actually not a HORNITUS NEVALIS 
but a  GRUS CORONATA. Never buy a Rolex at an italian flea-market. I say.

3. Der schwarze Abt

Overall-Movie-Score: 7

Grusel-Factor: 6

Giallo-Factor: 0

Looking for the hidden family fortune, the black abbot turns up and kills everyone. A bit on the talky side but the first showing of the masked killer in his very unhandy disguise. I may be biased here, but as a kid I was scared s-less. So were friends of me whose walk to/from school could be abridged by walking through the nearby monastir's garden. After watching this movie, for years they took the longer walk through the streets back home......

Black Abbot waiting for "Blacky"  
(Blacky being the real-life nickname for Joachim Fuchsberger)

"He's got a cousin, you know. He's called: The Monk with the whip".
And, know what, he's the one who did THAT to Solange
read about it HERE

2. Das indische Tuch

Overall-Movie-Score: 8

Grusel-Factor: 8

Giallo-Factor: 8

When a wealthy man dies, his avaricious relatives look forward to inheriting all his money. However, he leaves a provision in his will that they all must spend a week together in his castle before they will be able to inherit anything. At the castle (which is cut off from the outside world), the relatives soon begin to be killed off one by one, each strangled with an Indian scarf. 

This is already a giallo in its purest form. First person strangulations abound, women in peril. Pervs doing BDSM suff (Kinski!!! and some unknow starlet who obviously thought a career in the movies would be fun!!!!), oedipal son mother relations. The ending is  lame, but apart from the last 10 seconds, this is a blast and I bet young Argento was deeply impressed too.

 She's having fun, she can't come to the door right now... 
Actually Kinski is enjoying himself far too much in this scene.

This is from the 1987 remake by some italian guy.
Of course he had to exaggerate.
Oh those italians!.

Mother and Child reunion.
Nothing is scarier than an evil clown and
comedian Hans Clarin
makes a best of the situation.
He's the voice of one of Germany's favourite children's cartoon characters
"Pumukl". Those kids are scarred for life.

 Of course, Flickenschild is wicked as ever - a certified nazi, A.H. personally
said she was "gifted by god".
Did not do her well after the war, so she had to go "hagsploitation".

1. Die Toten Augen von London

Overall-Movie-Score: 10

Grusel-Factor: 9

Giallo-Factor: 7

Wealthy, heavily insured men are being murdered at an alarming rate. Scotland Yard investigates and finds clues that lead to a ring of blind men, led by a mysterious “reverend.” 

The "reverend" is also master of a female delinquency institute and likes to drill holes into walls. We get scary murders, submarines, creepy groping and assaulting on women. Overall the most mean-spirited and best Edgar Wallace Krimi. This is before Alfred Vohrer thought this was all a joke and created the funhouse-style Gruselkrimis - which are not scary at all.

A delight. 

Leads Karin Baal and Joachim Fuchsberger would team up one last time in "What have they done to Solange". 

Adi Berber, pro-wrestler
 (the austrian Tor Johnson), was
featured in many krimis as
hulky but simple killer. He's the one to the left. 
The other is Karin Baal.

Adi "the Moth" Berber trying to dim the light,
to make things cozier. Sadly he forgot his razor...

See this is how it's done. 1982 remake by some fancy italian dude...

Oh, you're still here? Thank you. Let's see... Karin Dor in a Western
movie, directed by her husband....

In a horromovie directed by her husband....

Doing homework in her leisure suit... in a spy-movie
by her husband

In some other sypfilm. Not directed by her husband.
She is neither bound nor gagged nor tortured in this one....

Everybody's drooling about Barbara Steele. I should do a post on Karin Dor. She is a horror-icon and no-one aknowledges that!

Still here? Ok, here are some pulp Gruselkrimi covers...

Demonic Syringe

Cries of death from the Devil's moore

Satanas, Master of the Skeletons

you do not quit. Ok. This  is the last one. A nice interview (the man at the camera again had far too much fun at work) with Karin Dor on why she won't go nude in the movies... switch on subtitles

KARIN DOR INTERVIEW

The Blood-Stained Silver Crescent - The story of the last ever Edgar Wallace Krimi

Rialto decided to enter the Edgar Wallace Krimi market again in 1970 after seeing their competitor CCC films making good money with a small italian-german co-production called "The Bird with Crystal Plumage". Marketed as "new and even harder" (Bryan) Edgar Wallace Krimi, this movie did quite well, given that CCC did not have the marketing muscle that Rialto had. With the money needed to produce one german Krimi, you could easily co-produce 3 foreign ones, still holding all the cards for the domestic markets in their hands. Simultanously, a "real" German Krimi would be produced, ROIs would be compared and then decisions would have to made how to go on further with the franchise. 

The Edgar Wallace franchise was still going strong, attracting about 2% overall market share per film, a number that basically stayed unchanged from 1959-1972!!

The italian co-productions "Solange" and "Orchids" were expected to be below that mark by about 1%, but then the production cost would be only about 1/3 of a german krimi for Rialto. 

The original script was written by Paul Hengge, incorporating the "Silver Crescent" the assassin has to leave behind at every cime-scene to justify the german title: "Das Rätsel des Silbernen Halbmonds" (The Mystery of the Silver Crescent) under the title "Sieben Gesichter für die Mörderin" (Seven Faces for the Murderess). Then it was given to Umberto Lenzi and Roberto Gaianniti for further work, but only slight changes were made from the original screenplay. 

Obviously Lenzi had a problem with too much germanic interference, so the number of technicians, administrators and actors from germany were cut down. 

Krimi-veteran Uschi Glas, who played the lead role, remembered in an interview that Lenzi had a very strong anti-german stance, verging on germanophobia. 

Filming took place before "Solange", but Solange reached the german cinemas first. It was a reasonable success, by far the most successful of all germano-italian co-productions. Maybe this is why Rialto decided to release this one as another Edgar Wallace Krimi, as the third one ("Le Tueur" / Der Killer und der Komissar/ The Killer and the Inspector - filmed in France with Uschi Glas and Fabio Testi) was not released as a Edgar Wallace anymore.

So, "Seven Orchids" became the last picture to be released as official "Edgar Wallace" movie in Germany.

Rialto had done one cert. 18 Edgar Wallace before "Zimmer 13", (Room 13), which had made considerably less money than the others, so they were not willing to let that happen again. This time it should be maximum efficiency, so they trimmed the movie down 20 minutes, cutting the murder sequences and a lot of plot devices. The result is a strange one, the movie is less bloody, paced faster but loses its coherence.  On Blu-Ray, Rialto did publish both versions, with the german one even scanned in 4K from the domestic duplicate negative.

2024 Days at the Grindhouse Part I : June 15th

Well, for over 20 years now, I am a member of this filmclub.  It's a secret one, so I won't tell you the name. The members of this filmclub go down into forgotten movie archives to unearth prints of very obscure or interesting movies. These prints then are shown in an old art-deco cinema-palace, that still has 35mm and 70mm projection. This takes place on a saturday morning and only members are allowed. 

You never know in advance, which films have been unearthed, and there is always one guy in the audience who knows best and gives a little introduction into our feature presentation. In true style, you mostly got a B movie, some trailers and an A movie after the break. 

Sometimes it is the only surviving print of a movie and sometimes they are so corroded and worn out that this will be final time, they can be seen at all. Well, here is my report on today's programme.

1. Der Firmling (GER 1934)

First, we get a prelude film from 1934 (and the print shows it's age) called "Der Firmling" or "The Confirmed One" in which the latter comes into a restaurant with his father to celebrate the religious confirmation. Obviously they do not fit into this high-class enviroment and finally the father gets drunk. A lot of funny stuff happens. I am not a huge fan of the comedian "Karl Valentin" who was - let's say - "Laural AND Hardy" of Bavaria in one person and still is quite well known. This one is pure slapstick and has not aged well. You can watch it here with english subtitles .

2. The Alley Tramp / Ach blas mir doch einen (Marsch)  (USA 1968)

Ok this is one of the prints that basically died with this projection. To my knowledge there is no other german-dubbed print left, so we were to witness something special. This is a Hershell Gordon Lewis Sexploitation potboiler which has ridiculously bad direction, acting, dialoge and plot. I will not complain about the looks of the two female leads but everything else is really, really bad and amateurish. To me HGL is the american equivalent of Andreas Schnaas (Violent Shit). 

The Plot is a bout a 16year old witnessing her parents(!!!!) having sex, getting horny, and seducing all the men (except her father, thank god) she comes across. She becomes pregnant, has an abortion and has to stay in a clinic where she starts (still having pains from the abortion!!) to seduce one of the doctors. 

The film ends with the diagnosis that she is a nymphomaniac. 

-- What could have been a pretty sick move - given the reputation of the director - is a charade. 

The german distributors thought the same and went straight for laughs. The complete soundtrack is exchanged for either cool swinging sixties psychedelia or (in the "sex" scenes) bagpipe-military-march music, which is hilarious, sometimes dialog-snippets from other movies (westerns, crime) are inserted, maybe they had forgot to dub one or the other scene, I have no idea. 

The leads talk in ridiculous provincial german dialects (but each in a different!! one) and the dialogue is hilarious. The original dialogue's self-exploration becomes a farce, presented like this.

The best part is that in the german dub, the whole movie is designed to stage the explanation for her nymphomaniac behaviour -  it's the mother's fault for feeding her too much cocumber salad!. 

The german title translates as. "Oh, just blow me one (march)" - hence the marching music, as there now blowing in sight anywhere...

Sweetie Marie relaxing after her abortion

I honestly don't know how I feel about this, it felt like a complete waste of time as nothing is attractive about this movie, but somehow I am glad to be one of the few to have watched the orginal german dubbed version...

The only memorable thing about this movie is the attractive  Julia Ames who plays the (16 year old of course!!!) daughter... she also was part of Lewis 1968 "Just for the Hell" who has bascally the same people in the same sets. 

Here's a snippet that basically tells it all! an oscar-worthy monologue by Julia Adams. 

3. Trailer Time: 

Fright Night  - in which they want to sell this teeny-horror-comedy as a serious evil film. 

The Kiss - this 1988 movie about a female vampire in a pool??? was unknown to me until now, strange. But it looked interesting. It was quite hard to track down a good version, but now it is on my NAS for further investigation 

 

4. The Hunger / Begierde (UK 1983)

Of course I have been aware of this movie since 1983 but I never came round to watch it in the cinemas and the two times I rented it later, I fell asleep after 20 minutes of stylish boredom. There are only two movies that did that to me: the other one is called "Wolfen" which I still have not seen in it's entirety.

The plot: She (beautiful, beautiful Caterine Deneuve) is an immortal vampire and chooses every 200 to 300 years a new companion (m/f/div) by infecting this person with her blood and promising him/her/it eternal life. Well, eternity for  them  lasts about 200-300 years after which they reach their real physical status within a week, but they too cannot die but just become more and more frail. So she keeps them in coffins in the attic and carries them around. Flashbacks include her origin (Egypt --- lol, is there anyone less-egyptian looking than Deneuve??) and times spent with her corrent lover in the 18th cent. As this one (bautiful, beautiful David Bowie)  experiences this sudden coming-of-age trip he seeks help with an age-reasearching blood specialist (not that beautiful but braless Susan Sarandon). But she thinks he's a loon, so he wanders off killing girls to drink their blood in a desperate but futile move. When Scientist shows up at Vampire's door, the Lover is already in a coffin in the attic, so V seduces S with her Sherry-instead-of-Water-wet-T-shirt-trick to have sex with her and after and abundace of sucking and licking, S ist the new partner -- Until then I would have gotten the movie. It is a basically an ultra-high-budget and ultra-stylish british copy of every second Jean Rollin movie, but without the camp and without any entertainment value. But I would have gotten it.

Did somebody say "Style over content??"

But the movie does not end there. I'm afraid the movie industry bosses got involved and demanded a "good" ending, so S together with L and the other living dead from the attic kill V by literally throwing her down a flight of stairs (immortal! LMFAO) and S becomes the new V. I mean without ANY explanation, any hint on how and why. This is completely ridiculous. (Or maybe I fell asleep when they explained this... man, I don't know...)

The sets, acting, camera and score are B-E-A-U-T-I-F-U-L, but there is no soul. No soul. I was happy I made it through the movie till the end this time. I was happy to have seen it in all it's analog glory and in a big movie theatre. But actually that was just for the bucket list. Sad to say, but the prologue featuring Pete Murphy from Bauhaus with "Bela Lugosi's Dead" is the best thing in this movie.

Director Tony Scott went on to make "Top Gun" as a "Director-for-Hire", he later returned to the subject to direct the two season premieres of "The Hunger" TV-series, with David Bowie being the host for the second season. This has aged so badly that I wonder who the hell actually watched it first time around. 

Well, don't bother, me sais.

IF YOU ARE INTERESTED IN MY 1985/1986 NIGHTS AT THE GRINDHOUSES CLICK HERE!

1985 Grindhouse Nights in Munich's Stachus Kinocenter PART IV: 30th Nov

 

This night consisted of 12 movies by the ultra low-budget "AB" filmdistribution that was founded late 1971, obviously to avoid some of the disturbances caused by legal proceedings around the tax-evasion schemes of film-mogul Horst W. Murrmann. AB stands for Alois Brummer who had  had considerable success as director of the "Count Porno" series. AB was an active film-producer for exactly 10 years (the statue of limitations for tax-evasion crimes in Germany). Needles to say, most of the movies were tax-shelters of the lowest kind with memorable titles like "Dangerous sex of precociously puberting girls" or "While yodeling the Lederhosen itches". There is an interesting documentary that was filmed in 1970 about Alois Brummer and his company "Sex-Business - Made in Pasing". Here we go:

1. Ein Halleluja für 2 Schlitzohren 

The Story of Drunken Master HK 1979

If you have bothered to follow the story of Drunken Master and were looking forward to seeing this one, you know what to expect. So "Beggar So" tries to teach siblings his mixed-style kung-fu which of course goes not down too well with his old enemies. The story is a mere pretext for the numerous fight scenes which are well presented for a end-of-cycle-kung-fu-movie. No disappointment here, if you are into these kinds of film.

Verdict: If you liked the other ones...

 
2. Zwei gelbe Höllenhunde 

Two Assassins of Darkness (TW 1977)

The script to that film must have been dreamed up in a cocaine-soaked fever dream. I will try to make it easy for you: 

Killer 1 (K1) and Killer 2 (K2) are hired by Female Brothel Boss (FBB) through her multiple henchmen (H1-3) basically to kill each other. K1 meanwhile falls in love with one of his targets, the beautiful Step-Sister (SS) to another target (GUY). Going to a monastir to kill SS, K1 meets a monk (M) who tells him out of the blue and without any cause, that his father was one of the traitors 15 years ago who tried to steal a valuable jade-horse from the emperors palace and that his adoptive father (AF) is the one who betrayed his real father. This AF had been training K1 in Kung-Fu to kill all the other traitors (T1-T6), but is also the real father of K2 and trained him too seceretly (K1 does not know about K2), to eventually kill K1. Eventually FBB kills M  because he was just a character invented to tell the story and obviously was T3. Before that she had already killed H2, who was her in-house Killer (H2=K3??), just to show us that she is tough as nails.K1 faces AF who tells him that he has the jade horse, that M is a liar and tries to protect it from the last mysterious TX. Together both  of them and SS and K2 hunt down FBB who is eliminated from the script. They set-up a trap with the jade horse as a lure and GUY steps up trying to get it because he is the son of T4, the trap kills him. Then H1 and H2 show up, capture SS and the jade horse and could run away, but basically tell AF, K1 and K2 to liberate SS in a palace for a show-down. 

This show-down now includes H1, H3, TX, SS, AF, K1, K2 and multiple flying assassins. In the end, we find out why the horse was so valuable. And we find out that the authors of this script knew we would not give a damn.

I think I got it right. My  brain hurts. And, btw SS can kung-fu too and is such a sweetie (Doris Chun-Erh Lung). And of course K1 must have been around 25 when he was "adopted". 

Now.  This is a solid movie, much more like a spaghetti-western and even a giallo or japan yakuza flick than an eastern, esp. in the first two segments of the movie.   Later we go more traditional chinese, with the assassins, which does not hurt, as there are some inventive battles (eg. K1,K2 defend each other while being tangled in a huge net, hanging in the air). A worthwile film, for both western and easterns fans. 

I am not convinced that it was produced in 1977 as everything cries out 1971 here, but what do I know. 

 I  am surprised that this movie is not better known as it has stood the test of time much better than most others. The really, really convoluted script is the only bothersome thing here but that cannot deter from this being a  solid movie, and to me a stand-out eastern.

Verdict: Gem

3. Zwei Schlitzohren in der Knochenmühle (Superfighter III) The Shadowman (HK 1979)

This is an ok Jackie Chan movie with well staged fights and the usual comedy, found in the drunken master series. The German dubbing though is first-rate, making it a joyous watch for me, but I doubt that the same can be said for the english dub. 

Verdict: For J. Chan completists

4. Gipfelglück im Dirndlrock 

Dormitory Girls  (D  1971)

Originally released as "Dangerous Sex of  Precociously Puberting girls", this movie basically was immediately renamed after it's first run. Maybe to cash in on the then popular "Alpine" sex film, maybe because it was too dark in its original dubbing, maybe not. We will never know. 

The new title translates as "Mountaintop Happiness in a Dirndl" which basically adds insult to injury as this quickly and amateurish made movie by Alois Brummer himself is basically a sexploitation roughie with no (real) mountaintop in sight.

 Obviously Elke (Bolten-) Hagen, who went on to make "She-Devils of the SS" for E.C. Dietrich and around two dozen other soft-porn flicks, stars. 

The post-production dubbing (or maybe second dubbing???) suggests that this is all funny, but basically this is a compilation of completely unfunny scenes of girls being harrassed by every kind of man. Their faces, though, never smile...

It's neither funny nor sick enough to be entertaining, it is just unpleasant and a complete waste of time as every scene is decidedly amateurish staged .

Verdict: Stay clear!

5. Frauen hinter Zuchthausmauern  

Women in Cages  (FIL 1974)

"The movie that lifts the veil from the dirtiest racket ever conceived in the minds of vicious men!!!" aka "The Dolls of Devil Island". Here we go again...

A sequel of sorts to  both the "Blood Island" trilogy by Geroardo de Leon and the "Big Doll"-Films (produced by Roger Corman), all set in the Phillipines, this one is a cash in on the WIP movies and what a howler that is. Roger Corman co-produced this so we got american actresses including Pam Grier as an Ilsa stand-in. 

It is actually pretty bad, and if you've seen the "Blood Island" films, you expect this. As an asian movie, nudity is presented strictly from the waist up and violence is only hinted at. AB distribution quickly noticed that there was something missing, re-edited and inserted hc-footage, called the movie "Sexfieber" and let run the porno-cinema circuit.

The version I saw did have some obviously inserted SC stuff, but no HC.

Verdict: Don't bother.

6. Im Knast der heißen Katzen  

Girls in the Tiger Cage (Prisoner 407) (KOR 1976)

Well, imagine this:  Some Korean dude watches Female Prisoner Scorpio and thinks: "Hellyeah! I can do that", without any sense of style, no budget, no Meijko Kaji and completely bugged down by the korean censors. What do you get. This here. The story follows FPS but this time her betraying boyfriend is a Japanese spy and the whole thing is set-up in pre-WWII occupied korea, so that the torture etc. is of course done by evil japanese and not by korean guards (who naturally could never in my life do such things, no sir!). But then again, this is nearly a family-friendly film, so don't bother. Please don't bother. 

The german poster has - as always - nothing to do with the movie. I'm beginning to become suspicious of AB's marketing campaign, needless to say, the movie had different titles in different areas of Germany (EC Dietrich (our man for the dirty underwear) once confessed that he had seen this done a lot by the french, where you had to sell the rights to the movie to 5 different distributors to get a movie properly distributed in the whole of France - naturally these distributors often changed the titles of the movie, so that nobody was able to track down the actual box-office numbers - clever eh?)

Verdict: Don't bother

7. Bruce Lee - Die große Kampfmaschine  

They call him Chop-Suey (FIL 1975)

Presentation of the best the filipinian cinema has to offer commences with "They call him Chop-Suey". Ok. Come on. What do you expect? This is rediculous. Of course, AB Films had to add "Bruce Lee" who is of course not in one frame but is cited in the german dub as "inspiration to Chop Suey". Ok, makes sense. Sorry for being inquisitive. This is actually a lot of fun if you like your bruceploitation served the filipino way. I'm not complaining. 

Verdict: Decent.

8. Ein Dampfhammer unter 1000 Nieten 

Bloodfisted Brothers HK 1978

This basically is Robin Hood retold Eastern style. Master Wan is a highly decorated warrior who roams through the villages performing tricks and entertainment. He helps the oppressed villagers against their evil lord. As I said, Robin Hood. Not bad, not good either. Decent production values.

Verdict: If you've got nothing else going on on a sunday afternoon...

9. Ti Lung - Die tödliche Kobra  
The Shaolin Heroes HK 1980

Shaolin monks are being tortured to stop resisting the evil Manchu aristocracy. This is a very well produced and sharply played late-eastern with enough politics and morality in it to elevate it from the usual run-of-the-mill easterns.

Verdict: Nice.

10. Das Tosende Mädchenpensionat   

Danish Pastries (DK 1973)

There is this boarding school. In Denmark. You see. It is administered by a fanatical astrologist woman who lets the girl only into the classroom if they are in their purple robes with nothing underneath. Bad conduct leads to extensive whipping, which the girls enjoy far too much. Today they discuss the passing of the Virgo Sign (original danish title) through the Goat. 

Oh dear. 

The girls are advised that this will lead to all kinds of sexual trouble which they should stay away from (whipping on the naked back is not considered anything sexual). Well you cannot mess with fate and if the stars say so, what can you do. So the "class" does encounter numerous identifyable set-pieces.  

This is a danish hc-production with a high standard, fresh faces and enjoyable plot. Sometimes it looks as if it would cross over into WIP-P, but then stays clear of it.

Movie must have been a success as it spawned 2 sequels.

11. Feuer zwischen den Lippen   

Vista Valley PTA (US 1982)

Antonio Spinelli burns mafia money in this well staged rehash of the old Joseph W. Sarno movie "Sin in the Suburbs". Acting is good, the overall quality is up to B-movie standard and we see plentiful of ongoings behind provincial houses. 

At this point, though, the whole concept of "suppressed sexuiality in rural places" is a little bit outdated. To spice it up, Spinelli includes a story-line about a evangelical single father who pressures his daughter into incest. This is the 80ies right. Well.

Verdict: For collectors only.

12. Love in Action (Zieh mich aus, Herzchen) 

Expose me, lovely (USA 1976)

Uh, what do we have here. A genuine Film Noir with some HC setpieces thrown in now and then. From the very first minute we are assured that this movie actually wants to emulate the 40ies/50ies Phillip Marlowe style movies as we begin with a faceless man in first-person-perspective and as he looks into the mirror, all we see are bandages. This is so reminiscent of Bogart's "Dark Passages" that everybody knows that this movie does consider itself a contender (we get a lot of references to "Inner Sanctum" "The Lady of the Lake" and "The Big Heat"). And I was not let down.  

While his girlfriend is giving him a BJ, Private Eye is called by a mysterious strange woman whom he later meets and who wants him to find her lost brother.

The actors are quite attractive and can obviously actually play and the plot is always given priority over the hc-scenes. Those were plausible and well acted. The film has the goal to convincingly pair Film-Noir and Porn and it succeeds. The only thing bogging it down is the severly strained budget, but once you can look past this, this is very enjoyable.

Verdict: GEM and Movie of the Week!

If you've missed the other parts:

PART 1

PART 2

PART 3

 

My personal tribute to the 60th anniversary of "Blood and Black Lace" aka "Der Würger mit der Maske" aka "Sei Donne per l'assassino" aka "Blutige Seide"

60 years ago, "Sei Donne per L'Assasino" prermiered. It was co-produced by Erwin C Dietrich's (Greta, Jack the Ripper) Monachia Films who had just had a considerable financial success with their take on the Edgar Wallace krimis called "The Strangler with the Nylon Noose". For legal reasons (CCC possessed the rights to "The Strangler..." in german movie titles), that movie is now known as "The Nylon Noose". 

The follow-up was called "Der Würger mit der Maske" - "The Strangler with the Mask" and was actually shown under this title in german speaking Austria and Switzerland. In Germany however, the title had to be changed again into "Bloody Silk", referring to the fashion-house setting. The americans who bought the movie ("for a minor six-figure dollar sum" - which was basically what the movie had cost in the first place!!!) falsely translated that title to "Blood and Black Lace".

This is my little tribute to that movie. Have fun. And happy birthday to the Strangler with the Mask!

P.S: (Ah, and yes, I do music. If you are interested, hop over to the sister-blog about my little band called CREAMVIII)